Our Work
Beautiful original paintings, limited edition fine art Giclee and photography.
Our Studio Gallery
Located in Roxburgh, Central Otago
Featured products
Fantail in Lacebark
$575.00
Details
The Pied Fantail - pīwakawaka is one of New Zealand’s best known birds, they are frequently spotted in urban areas or following walkers through the bush, catching insect disturbed by foot falls. The adult pied fantail has a greyish head, prominent white eyebrows, brown back and rump, cinnamon breast and belly, white and black bands across the upper breast, and a long black and white distinctive fanned tail. During waking hours the bird is almost never still as it flits from perch to perch, sometimes on the ground but mostly on the twigs of a tree or any other convenient object, looking out for flying insects.
Image size: large 300 x 300mm ( limited to 75)
Each print is signed and numbered by the artist and comes with a certificate of authenticity, also signed and dated by the artist.
Looking Out
$795.00
Framed photograph from inside a derelict cottage in Lindis Pass region, the mountain crossover from Central Otago to the Mackenzie Country. New Zealand has a rich farming and gold mining history post European colonization when land that was previously only visited by indigenous Maori was settled from the mid 19th century.
Old stone and mud brick cottages from this time dot the landscape in veriest states of decay and decline.
Image size: large 500 x 500mm ( limited to 15 from total of 45)
Each print is signed and numbered by the artist and comes with a certificate of authenticity, also signed and dated by the artist.
Towards Onslow
$795.00
Framed giclee from original oil painting by Jim Gilmore. Based on his memories of Central Otago hills from his many trips though the area Jim stretches his pieces and then paints on board in his Otatara studio surrounded by native bush and Tui song.
Image size: large 500 x 500mm ( limited to 15 from total of 45)
Each print is signed and numbered by the artist and comes with a certificate of authenticity, also signed and dated by the artist.
Printed on 310gsm Hahnemuhle William Turner fine art paper with light fast pigment inks and framed using museum conservation grade cotton rag mats and backing plus filler boards, along with conservation glass (995 UV resist) for the highest quality limited edition giclee possible.
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